StykAnimate

Onion skin

See faded copies of the poses around you, choose how far it looks, and make the ghosts easy to read.

5 minBeginnerStykAnimate 1.2.5

Onion skin shows faded copies of the poses around the frame you are on, so you can see where a movement comes from and where it goes. This page shows how to turn it on, choose how far it looks, and make the ghosts easy to read.

The short version
  • Press O to turn onion skin on or off. Ghosts are red for poses before the playhead and blue for poses after it.
  • The small arrow next to the onion button opens its settings: Before and After (how many frames back and ahead it looks), Opacity, and which figures show ghosts.
  • Ghosts only help you edit. They hide while the animation plays and never appear in an export.

What onion skin shows

A ghost is a faded copy of a pose from another frame, drawn on the stage behind the figure you are posing. Ghosts from earlier frames are tinted red, ghosts from later frames blue. When you pose the next step of a walk, the red ghost shows you where the last step was, so you can keep the move even.

The spacing between ghosts shows speed: ghosts far apart mean a fast move, ghosts close together a slow one.

Coming from Pivot?

Pivot shows the previous frame faintly behind the current one. StykAnimate does the same, and can also show the frames after, several frames on each side, and the in-between frames.

Turn it on and off

Onion skin is on when you start StykAnimate. Your settings, like the colours and how far it looks, are remembered.

  1. Press O, or click the onion button near the right end of the timeline header. When it is on, the button is highlighted.
  2. Open the settings with the small arrow next to the onion button. You can also right-click the onion button, or press and hold it on a touch screen.
  3. Use the switch at the top of the settings to turn onion skin on or off without closing them. The settings stay editable while it is off.

Try it

Blue hops across the stage while Purple waves. The keys sit two frames apart, with Auto easing between them, and the playground opens with the settings showing. Change each one and watch the stage.

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  1. Click the ruler, or press , and ., to move the playhead. The ghosts follow.
  2. Raise Before to 4. A second red ghost appears.
  3. Open More and set Sample to Every frame. Now the in-between frames show too.
  4. Drag a marker on the ruler, the small bracket at the end of a coloured band.
  5. Choose Selected. Only Blue, the selected figure, keeps its ghosts.
  6. Turn Tint off to see the ghosts in their own colours.

The playground uses the Advanced timeline, where the range markers sit on the ruler. Simple has the same settings, without markers.

Choose how far it looks

Before and After are a distance in frames from the playhead. A new install looks 2 frames back and 1 frame ahead. Type a number, use − and +, or drag the word Before or After sideways: 8 pixels change it by one frame, and holding Shift when you start makes it finer.

What appears inside that distance depends on More → Sample:

  • Poses (the default) shows the poses you made, the keys, that fall inside the distance. In the Simple timeline these are your frame cards.
  • Every frame shows every frame inside the distance, including inbetweens and holds. Use it to check the spacing that easing makes.
  • Every (1 to 20) thins the ghosts out: 2 shows every second pose or frame.
No ghosts, even though onion skin is on?

Your poses may be further apart than the distance. If your frames have 6 inbetweens, a pose 7 frames back is outside the default 2. Raise Before and After, or choose Every frame.

With Timeline markers on, the Advanced timeline’s ruler shows the distance as a red band before the playhead and a blue band after it, each ending in a small bracket. Drag a bracket to change the distance, or click it and use the arrow keys (Home sets it to 0). The markers move with the playhead. Turning Timeline markers off hides them without turning onion skin off.

Colours, strength and order

How strong the ghosts are0 to 100%; 14% to start. 0 hides the ghosts but leaves onion skin onOpacity
The tint of earlier and later ghostsClick the dot before Before or After to pick a colourColour dots
Colour ghosts by directionOn to start. Off shows each ghost in its figure’s own coloursTint
Make further ghosts fainterOn to startFade
Which figures show ghostsAll figures to startAll figuresorSelected
Draw ghosts over the current figuresOff to startMore → Show on top
Include props and figures joined to a figureOn to startMore → Joined figures
Show where the camera frame wasOff to startMore → Camera outline

Normally a figure’s ghosts sit just behind it on its own layer, so a floor on a lower layer does not hide them and they never cover the pose you are working on. Show on top lifts every ghost above everything, which helps when figures overlap.

With many figures on the stage, choose Selected, then click the figure you are animating: only its ghosts stay.

Example: check the spacing of a jump

  1. Make the jump: a crouch, a take-off, the top of the jump, a landing. Give the frames a few inbetweens and set their Easing to Auto.
  2. Move the playhead to the top of the jump and press O if onion skin is off.
  3. Open the settings and set Before and After wide enough to reach the take-off and the landing, for example 8.
  4. Choose Every frame under More, and Every 2. The ghosts now show where Blue is on every second frame.
  5. Look at the gaps. They should get smaller as Blue rises, and bigger as he falls. If they don’t, change the inbetweens or the easing and look again.

While you pose

Ghosts show the poses as they are saved in the animation. While you drag a dot they stay where they are, and they update when you let go.

Onion skin never changes your animation: it does not add keys, change easing or move anything. The range is only a view, not a selection of frames.

In the Simple timeline, click the card you want to change before you pose; the ghosts are the cards around it. In the Advanced timeline, put the playhead on a key before you pose, or add a key there first. For the path of a single hand or foot over time, use motion paths.

Common questions

Onion skin is on, but I see no ghosts.

Check that the onion button is highlighted and Opacity is above 0. Then raise Before and After: your poses may be further away than the distance. With Selected, only the selected figure has ghosts. Ghosts also hide while the animation plays.

I see fewer ghosts on the first or last frame.

There is nothing before the first frame or after the last one. Your settings are not changed: the ghosts come back when you move to the middle.

The same ghost appears several times.

With Every frame, a pose that holds still shows a ghost on every held frame. Choose Poses to see each pose once.

A background hides the ghosts.

Turn on More → Show on top, or check the order of your layers.

Will the ghosts be in my video?

No. Ghosts, their camera outlines and the markers on the timeline are only shown in the editor.

Related guides

Still stuck?

Ask the community, or tell us what’s missing from the docs.